I started out as a cosplayer. I was often photographed by men who chose how I was seen, which images were “good,” and which ones were worth showing. Over time, I began to feel how easily the female body becomes something that is framed, selected, and interpreted by others. Taking control of the camera myself was a way of turning the gaze around.

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Today, I mostly work with self-photography, performance, and video. I use my own body as both subject and material, staging scenes that explore femininity, projection and desire. By directing
and producing my own images, I decide how I appear, how I exaggerate, and how I distort myself.

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I often work with everyday objects — fruits, bread, domestic materials — as extensions of the body. They can feel playful, absurd, soft, or uncomfortable at the same time. Through recurring characters and shifting visual styles, I create small constructed worlds that move between humor and tension, intimacy and artificiality. Some works feel narrative, almost like fragments of a larger story.

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What used to be a body looked at from the outside has become a body I actively use as a tool.
The camera is no longer something pointed at me — it’s something I work with. My images exist
in that tension between exposure and control, playfulness and discomfort, visibility and authorship.